Joan Miró i Ferrà was born in Barcelona on 20 April 1893 and trained as an artist at the Galí Academy from 1912-15. Whether blackening or setting fire to his works, such as May 1968 and Burnt Canvas II 1973, or creating euphoric explosions of paint in Fireworks 1974, Miró continued to reflect the political mood in his radical and pioneering practice.

The exhibition also reveals how he captured the atmosphere of protest in the late 1960s. Joan Miró: The Ladder of Escape showcases masterpieces from this era, including the sublime The Hope of a Condemned Man triptych 1973. Under Francos regime, Miró worked in a kind of internal exile in Spain while cultivating a reputation abroad as a hero of post-war abstraction. The tensions that erupted with the Spanish Civil War in 1935-9 elicited Mirós explicit protests in Aidez l∮spagne and Le Faucheur 1937, as well as more private and troubled responses disguised in the renowned Constellation paintings of 1940, made in the Second World War. These depictions range across images of rural life, such as The Farm 1921-2 which Ernest Hemmingway bought from the artist in Paris, to the masterly sequence of the Head of a Catalan Peasant 1924-5. These are rooted in the complex identity politics associated with Catalonia, as revealed through Mirós representation of its landscape and traditions. Joan Miró: The Ladder of Escape examines the artists varying degrees of engagement over his lifetime. This exhibition explores these responsive, passionate characteristics across six decades of his extraordinary career. However, from his earliest paintings onwards, there is also a more anxious and engaged side to Mirós practice, reflecting the turbulent political times in which he lived. Often regarded as a forefather of Abstract Expressionism, his work is celebrated for its serene, colourful allure. Miró was among the most iconic of modern artists, evolving a Surrealist language of symbols that evokes a sense of freedom and energy in its fantastic imagery and direct colour. It also explores the wider context of his work, bringing to light the artists political engagement and examining the influence of his Catalan identity, the Spanish Civil War and the rise and fall of Francos regime. The exhibition draws on collections from around the world to represent the astonishing breadth of Mirós output. Joan Miró: The Ladder of Escape brings together over 150 paintings, works on paper and sculptures by one of the twentieth centurys greatest artists. The exhibition is on view from April 14 through September 11, 2011. LONDON.- Tate Modern presents the first major retrospective of Joan Miró (1893≡983) to be held in London for almost 50 years.

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